Kenneth McGregor & Joseph Tornatore
Early on in Kenneth McGregor’s acting workshop, my teacher discovered me reaching for comedic crutches on stage. After I added one too many subtext witticisms to my characters to enrich scenes, McGregor promised to fix my wagon until I learned to stand-alone without wiggle room improvisation.
The next time he divvied out parts in class, McGregor handed me a heavy scene from the movie
Grand Canyon that could be nothing but emotionally driven between a husband and wife. The moving scene involved an empty nest wife trying to convince her husband to keep an abandoned baby she found.
Kenneth McGregor preaches that acting is born from the cold read of the script. On the stage, I readied to bone in the lines in a cold read opposite my scene partner. He asked us to deeply stare into the eyes of our scene partner to connect, or begin “the dance” as he called it. He reminded the actors in the studio that he did not want to hear one iota of inflection, accent, or emotion for this initial reading. He did not want to see gestures, body mechanics, or acting emerge from the skits. He wanted just a cold copy read to build a foundation for the ensemble of acting, props, and wardrobe that would come later.
While McGregor barked preliminary instructions, I remembered his oath to separate me from comedy. So I sneak peeked through the script to pare down the unfamiliar scene to an outgrowth of the emotional conflict. He quieted the actors, silenced the stage, and called for operative action. I looked up from my cold copy and stared into my scene partner’s sparkling green eyes. Then I slammed my clenched fist down on the table, action that surprised even my scene partner.
In a blistering voice, I yelled, “Who is the father of this goddamn baby?”
Kenneth McGregor instinctively lurched forward to unleash biting criticism of a performance where there should not have been any theatrics. The class laughed at my antics because at this point of the act, I fixed my acting coach’s wagon.
Kenneth McGregor relented, “You just never know what is going to come out of Joe Tornatore’s mouth. Now let’s get back to work.”
My wide as the Grand Canyon smile shriveled in time and space. My uncalled for outburst marked the last time I got even a whiff of infusing comedy into his workshop.
Labels: acting
6 Comments:
Handsome pair of sleek suits!
Reading this made me remember how enticing, enthralling, sexy and scary taking any acting class sounds, esp McGregor's! At least the way you write it/him. I plan to make a class part of my 2008 dos!
I really love your writing style, Joe. And this one wasn't about humor either.
Hope you and your fam have a happy thanksgiving!
jess,
thanks for the compliment.
McGregor sounds like a man I would invite home to supper.
et,
What about me?
Grand Canyon was a great movie -- does this mean you'll be in the remake.
Pax,
I would not want you to do a critique...lol
Post a Comment
<< Home